Neïl Beloufa, Steve Bishop, Sofia Hultén, Iman Issa, Toril Johannessen, Luke Stettner, Artie Vierkant – Remainder – an exhibition curated by Alex Ross with new text by Tom McCarthy and reading groups led by Rosie Cooper, Gil Leung, Sally O’Reilly, Francesco Pedraglio: 14 June–14 July 2012
Installation views, Hilary Crisp, London; June 2012:
Steve Bishop, 16:9 II (2011-12); Iman Issa, Triptych #5 (2009); Sofia Hultén, One in Ten (2011); Artie Vierkant, Image Objects (2011–ongoing); Toril Johannessen, A4 models: Flat, Curved, Spherical (2010); Luke Stettner, It’s easy to see the beginnings of things, but harder to see the ends (2012)
Artie Vierkant, Image Objects (2011–ongoing); Toril Johannessen, A4 models: Flat, Curved, Spherical (2010); Neïl Beloufa, The Analyst, the Researcher, the Screenwriter, the CGI Tech and the Lawyer (2011); Luke Stettner, It’s easy to see the beginnings of things, but harder to see the ends (2012), wall drawing, two-slide relay, 0:12
Neïl Beloufa, The Analyst, the Researcher, the Screenwriter, the CGI Tech and the Lawyer (2011), film still
Luke Stettner, It’s easy to see the beginnings of things, but harder to see the ends (2012); Steve Bishop, 16:9 II (2011-12)
Steve Bishop, 16:9 II (2011-12), LCD screen, Astonish ‘Jasmine & Wild Berries’ floor cleaner, glass, drywall, 130 x 45 x 34 cm; wall cut-out revealing gallery office shelving, dimensions variable
Iman Issa, Triptych #5 (2009), photographs, flashing light bulb, timer, metronome, dimensions variable
Sofia Hultén, One in Ten (2011), wood, 33 cm x 2 cm x 10 cm, DVD 14:20
Artie Vierkant, Image Object Thursday 19 April 2012 11:54PM (2012), Six-pass UV prints on machine-cut Sintra, altered documentation images
Artie Vierkant, Image Object Thursday 19 April 2012 11:51PM (2012), Six-pass UV prints on machine-cut Sintra, altered documentation images
Toril Johannessen, A4 models: Flat, Curved, Spherical (2010), A4 laser prints, in 3 motifs available as handouts
Luke Stettner, It’s easy to see the beginnings of things, but harder to see the ends (2012), wall drawing, two-slide relay, 0:12












