FORTHCOMING

Tim Ivison and Julia Tcharfas

Tim Ivison
B. 1982; Denver, United States of America
London Consortium, Birkbeck College, University of London, PhD; ABD
School of the Art Institute (Visual & Critical Studies), Chicago; 2005
School of the Art Institute (Sound/Art & Technology), Chicago; 2004
 
Julia Tcharfas
B. 1982; Donetsk, Ukraine
Slade School of Fine Art, London; 2011
School of the Art Institute, Chicago; 2005
 
Live and work in London
 
cv
 
timothyivison.tumblr.com
juliatcharfas.tumblr.com
 
Selected works: 
 
Render_3
Noosphere
2013
Mixed media
9.5 x 8 in
 
 
Render_4
Tete 1969
2013
Mixed media
11.5 x 9 in.
 
 
World as a picture
World as a picture
2013
Found images on plasterboard
6 x 2.5  ft
 
 
Simulating
Simulating
2013 
Found images and mixed media on plasterboard
6 x 2.5  ft
 
 
 Rendering
Rendering
2013
Found images on plasterboard
6 x 2.5  ft
 
 
 
outside
Systems Thinking from the Inside (exterior)
2013
21 Century
Chisenhale, London
Photo: Maria Eisl
 
 
 
inside
Systems Thinking from the Inside (interior)
2013
21 Century
Chisenhale, London
Photo: Maria Eisl
 
 
 
Closed Systems (rocro)
A field for all action
(Closed systems composition)
2012
Mixed media
250 x 250 x 250 cm
ROCRO, Museo d’Arte Contemporanea, Rome
 
 
 
A field for all action
A field for all action
(Closed systems composition)
2012
 
 
 
A field for all action
(Closed systems composition)
2012
 
 
 
Abbau (unbuilding) IV
2012
Artist book
 
 
 
Museums, Forgery, Conservation, War
Losses, Art Dealing, Sales Catalogues
2011
Linen, found images, iron-cut nails, gold nails
210 x 185 cm
 
By the principle of eternal progression
in which there is an endlessly creative
unfoldment manifested successively
in potentially countless forms
2010
Wall mural and catalogue mounted on pine
93 x 130 cm
 
Building, Architectural or Technological
Ensemble or Landscape
2011
Mixed media
95 x 95 x 15 cm
 
Slack Cityscape2011
Metal stand, poster, spray paint
177 x 110 x 34 cm
 
 
 
detail
Building, Architectural or Technological
Ensemble or Landscape
2011
 
 
 
By the principle of eternal progression
in which there is an endlessly creative
unfoldment manifested successively
in potentially countless forms
2010
Wall mural and catalogue mounted on pine
93 x 130 cm
 
 
 
Commanding-Principle
The commanding principle
2011
Aluminum venetian blinds
dimensions variable
 
 
 
visual enterprise 2011_HCG
Visual enterprise
2011
 
 
 
Abbau III
Abbau (unbuilding) III
It is important not to be apocalyptic,
but to recognise that this is part of
the natural cycle of events
2010
Mixed media
dimensions variable
Auto-Italia South East, London
 
 
 
Abbau III detail
Abbau (unbuilding) III
It is important not to be apocalyptic,
but to recognise that this is part of
the natural cycle of events

2010

 
 
 
Abbau II
Abbau (unbuilding) II
Morals reformed, health preserved,
industry invigorated, instruction
diffused, public burdens lightened,
economy seated, as it were, upon
a rock – the gordian knot of the
Poor-Laws are not cut, but untied,
all by a simple idea in Architecture!
2010
Mixed media
dimensions variable
UCLA Wight Gallery, Los Angeles
 
 
 
Abbau II detail
Abbau (unbuilding) II
Morals reformed, health preserved,
industry invigorated, instruction
diffused, public burdens lightened,
economy seated, as it were, upon
a rock – the gordian knot of the
Poor-Laws are not cut, but untied,
all by a simple idea in Architecture!
2010
 
 
 
Abbau I
Abbau (unbuilding)
2010
Mixed media
dimensions variable wall assemblage
 
 
 
Abbau I detail
Abbau (unbuilding)
2010
 
 
 
Pure historical inertia
Pure historical inertia
2010
B/W print, found image, tape
33 x 47 in.
 
 
 
Pure historical inertia
Pure historical inertia (II)
2010
B/W print
33 x 47 in.