Tim Ivison and Julia Tcharfas
Tim IvisonB. 1982; Denver, United States London Consortium, Birkbeck College, University of London, PhD; ABD School of the Art Institute (Visual & Critical Studies), Chicago; 2005 School of the Art Institute (Sound/Art & Technology), Chicago; 2004 Julia Tcharfas B. 1982; Donetsk, Ukraine Slade School of Fine Art, London; 2011 School of The Art Institute, Chicago; 2005 Live and work in London CV
Selected works:
A field for all action (Closed systems composition), 2012; Mixed media; 250 x 250 x 250 cm; ROCRO, MACRO, Rome
A field for all action (Closed systems composition), 2012
A field for all action (Closed systems composition), 2012
Abbau (unbuilding) IV, 2012; Artist’s book
Museums, Forgery, Conservation, War Losses, Art Dealing, Sales Catalogues, 2011; Linen, found images, iron-cut nails, gold nails; 210 x 185 cm / By the Principle of Eternal Progression in Which There is an Endlessly Creative Unfoldment in Potentially Countless Forms, 2010; Wall mural and catalogue mounted on pine; 93 x 130 cm; Building, Architectural or Technological Ensemble or Landscape, 2011; Mixed media; 95 x 95 x 15 cm / Slack Cityscape, 2011; Metal stand, poster, spray paint; 177 x 110 x 34 cm
Building, Architectural or Technological Ensemble or Landscape, 2011
By the principle of eternal progression in which there is an endlessly creative unfoldment manifested successively in potentially countless forms, 2010; Wall mural and catalogue mounted on pine; 93 x 130 cm
The commanding principle, 2011; Aluminum venetian blinds; dimensions variable
Visual enterprise, 2011
Abbau (unbuilding) III – It is important not to be apocalyptic, but to recognise that this is part of the natural cycle of events, 2010; Mixed media; dimensions variable; Auto-Italia South East, London
Abbau (unbuilding) III – It is important not to be apocalyptic, but to recognise that this is part of the natural cycle of events, 2010
Abbau (unbuilding) II – Morals reformed – health preserved – industry invigorated – instruction diffused – public burdens lightened – Economy seated, as it were, upon a rock – the gordian knot of the Poor-Laws are not cut, but untied – all by a simple idea in Architecture!), 2010; Mixed media; dimensions variable; UCLA Wight Gallery, Los Angeles
Abbau (unbuilding) II – Morals reformed – health preserved – industry invigorated – instruction diffused – public burdens lightened – Economy seated, as it were, upon a rock – the gordian knot of the Poor-Laws are not cut, but untied – all by a simple idea in Architecture!), 2010
Abbau (unbuilding), 2010; Mixed media; dimensions variable wall assemblage
Abbau (unbuilding), 2010
Pure historical inertia, 2010; B/W print, found image, tape, 33 x 47 in.
Pure historical inertia (II), 2010; B/W print; 33 x 47 in.